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Wednesday, October 14, 2026
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Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Critical Look at 90s Rave Culture

The work of Portishead co-founder the musician-producer, this sharp-edged though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Duel

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Still, a grimly amusing duel unfolds – David desperate to escape; the Woodsman denying his container of cider, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

There is only one key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game is in British and Irish theaters from 17 November.

CA
By

Christina Allen

A tech journalist and innovation strategist with over a decade of experience covering emerging technologies across Europe.

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